The title of this blog borrows from a phrase used by the British novelist and Catholic convert, Evelyn Waugh: “There is an Easter sense in which all things are made new in the risen Christ. A tiny gleam of this is reflected in all true art.” It is a hopeful and worthwhile idea and aspiration to believe that the human creation of art is a refracting of the truth as expressed in the person of the risen Christ.

This blog serves as a place to comment on and explore literature – or any other mode of art, such as film, poetry, visual art, and the like. Although the explorations and reactions here need not be centered on religious structures or ideas, it is assumed that the foundational core of the responses is a belief in the power and truth of Catholicism. Rather than this having the effect of a narrowing of perspectives, as some may claim, this standpoint is in fact one of freedom, for freedom is found fully only in truth – while a detachment from this bedrock of veracity, even in hopes of finding objectivity, is bound to end in hollow and incomplete untruth.

Tuesday, January 4, 2022

(1): "A Theology of Love: The Hermeneutics of Love," by Alan Jacobs

This was an amazingly interesting (and, often, fun) book to read.  It took me a bit to get through it, despite its relative brevity, because I wanted to always read it when I was able to give my full (completely awake) attention.  

The basic question Jacobs asks in this book is, if the law of love is the central Christian law (love of God and love of neighbor), should it not guide every other endeavor, literary interpretation/criticism included?  The second question, assuming the answer to first is a yes, is What does a hemerunics of reading look like guided by Christian charity?  The book is, in part, an extended reflection on  how best to define Christian charity, and then how this applies to the act of reading and interpreting.  I wished more for the latter, but Jacobs feels it necessary to focus on the former.  Early there's a lot of Aristotle and Augustine, both who offer a lot to say on the subject, even if they also offer only limited answers to the central question.  Bakhtin is probably the only figure (maybe Auden too) whose ideas Jacobs uses constructively and unconditionally.  

Reading into it a bit, it seems that Jacobs wants to protect reading against both sides of the culture wars, both of which want to "force" the text into a simple interpretative model, whether that's "cultural criticism" or "religious orthodoxy."  Neither of these give the type of attention to the text that true charitable reading requires.  

For now, I'll end by saying that this has sprung me into the world of Alan Jacobs.  Before even finishing this, I purchased two more of his books: the collection of essays published right after this one (which seems to be his earliest publication) and his most recent book, on the value of reading in an age of distraction.  I look forward to both.

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